{"id":21210,"date":"2018-11-15T11:38:45","date_gmt":"2018-11-15T11:38:45","guid":{"rendered":"http:\/\/www.anfocal.ie\/?p=21210"},"modified":"2018-11-15T11:38:45","modified_gmt":"2018-11-15T11:38:45","slug":"the-definitive-guide-to-the-best-1990s-films","status":"publish","type":"post","link":"https:\/\/www.anfocal.ie\/index.php\/the-definitive-guide-to-the-best-1990s-films\/","title":{"rendered":"The Definitive Guide to The Best 1990\u2019s Films"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">If you\u2019re reading this article, there\u2019s a high probability that you were born in the 1990\u2019s. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">As it turns out, we grew up in probably the most influential decade regarding film since the late 1960\u2019s post-Hays code boom. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">This was the decade where the old guard started to pave the way for the likes of your Tarantinos, your Andersons, your Smiths, your Finchers, and your Bigelows. <\/span><\/p>\n<p><b>Silence Of The Lambs (1991)<\/b><\/p>\n<p><span style=\"font-weight: 400;\"><img decoding=\"async\" class=\"alignleft\" src=\"https:\/\/media.giphy.com\/media\/FE0Jp0f7Bxwm4\/giphy.gif\" \/>Nowadays, media productions based on serial killers are dime-a-dozen. You can\u2019t move for TV shows or movies where our heroes have to track down an impossibly genius serial killer who\u2019s always two steps ahead.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">All of this can be traced back to this Jonathan Demme classic.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Who would have known that the director of a Talking Heads concert film and whimsical comedies would have accidentally spawned the wave of crime drama that was to come in the following decades?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Jodie Foster turns in a performance for the ages as FBI Agent Clarice Starling, who liaise with infamous serial killer Hannibal Lector (played by Anthony Hopkins, in a turn that launched him to the status as that one actor your dad likes) to track down the nefarious Buffalo Bill.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">While Foster and Hopkins got the glory come Oscar night, it\u2019s Ted Levine as Buffalo Bill that is the film\u2019s most audacious performance, playing a serial killer who targets overweight women and keeps them in his cellar.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Levine plays it with such gusto; you\u2019d be amazed to find out his most significant role since was the police captain on Monk.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Perhaps it&#8217;s for the best; you can never listen to 80\u2019s pop banger Goodbye Horses ever again because of him! <\/span><\/p>\n<p><b>Pulp Fiction (1994) <\/b><\/p>\n<p><span style=\"font-weight: 400;\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignright\" src=\"https:\/\/media.giphy.com\/media\/NM3X789V85XaM\/giphy.gif\" width=\"351\" height=\"215\" \/>Often imitated, never bettered. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">That\u2019s the best description one can give this bonafide cultural phenomenon.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">You can\u2019t write a list of the best 90s films without mentioning Pulp Fiction; it really is as simple as that. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The Oscars for 1994 are often regarded as the strongest Best Picture line-up in history, with this, eventual winner Forrest Gump, Quiz Show, Four Weddings and A Funeral and The Shawshank Redemption duking it out. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">In any other year, Pulp Fiction would have won. It absolutely would have won Best Picture this year if it had come out in 2017. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">It\u2019s easy to talk about the film in terms of its impact, but it\u2019s so easy to forget this is Tarantino\u2019s second film, and he approaches it with the confidence and cockiness of a seasoned veteran. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">It\u2019s the rare two hours thirty plus movie where you couldn\u2019t cut a single part out \u2013 it\u2019s all essential to the plot. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">In any other movie, that run-time would be a slog.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In Pulp Fiction, it is a joy.<\/span><\/p>\n<p><b>Groundhog Day (1993)<\/b><\/p>\n<p><span style=\"font-weight: 400;\">What if Frank Capra was bitter and cynical when he made It\u2019s A Wonderful Life?<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><img decoding=\"async\" class=\"alignleft\" src=\"https:\/\/media.giphy.com\/media\/nEZkc87t9u68U\/giphy.gif\" \/>Groundhog Day is that movie.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A simply ingenious premise is milked for all it\u2019s worth but remains as fresh and funny as it was 25 years ago.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The list of movies Bill Murray has been in breath-taking, but for my money, he will give a better performance than the one he gives here in Groundhog Day.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Bill Murray starts the movie essentially playing himself, but by the end, he lets the fa\u00e7ade down, and it\u2019s revealed he\u2019s actually a big softie underneath.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It\u2019s always a treat seeing an actor play against type, and no one does it better than Bill Murray. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">A movie to be enjoyed over and over and over again. <\/span><\/p>\n<p><b>The Insider (1999)<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Michael Mann\u2019s run of films from 1986 until 2006 is the best stretch for any director in history.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Change my mind. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">If a modern director like Damien Chazelle or Ben Affleck released this film today, it would be regarded as the best work of their career.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">For Michael Mann, this is just another day at the office.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">How do you take the true story of a whistle-blower within the tobacco industry and turn it into the tautest and tense thriller this side of a Hitchcock? <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Simple \u2013 you get Michael Mann to write and direct. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Mann\u2019s previous film Heat was another strong contender for the list as it made bank robberies the coolest thing in the world, but for me, The Insider is the kind of movie Hollywood should be making all the time. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">This is Mann at the absolute height of his powers, and Russell Crowe has a career-best turn as Jeffery Wigand. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">It\u2019s all well and good having America\u2019s Greatest Living Filmmaker behind the camera, but that doesn\u2019t mean jack if the talent in front of the camera is as good, so of course, the acting performances are first-rate.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Al Pacino, Christopher Plummer, Rip Torn, Stephen Tobolowsky, Michael Gambon, Lindsay Crouse are all in the primary cast, and reading that call sheet would give an Avengers film a run for its money in term of how stacked that cast is.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Much like Pulp Fiction, this is another long movie you would gladly watch another 2 hours of. <\/span><\/p>\n<p><b>Chungking Express (1994)<\/b><\/p>\n<p><span style=\"font-weight: 400;\">For the final entry on this list, I decided to go for a totally out-of-left-field choice; a 1994 drama from Hong Kong. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The story follows two unrelated lovelorn Hong Kong police officers in pre-handover Hong Kong who are both trying to get over bad break-ups. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The film is told in two distinct styles; the first segment has a sub-plot that could be ripped out of a John Woo movie about drug trafficking, whereas the second plot could easily be mistaken for a whimsical indie comedy directed by Greta Gerwig. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">This sounds like a total mess of a movie tonal-wise, however, under the masterful control of Wang Kar-Wai, the movie is a cocktail of emotion about love in the city, anxiety for the future, wanderlust and the disintegration of relationships. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Get past the language barrier, and get sucked into the best foreign language film of the 90s.<\/span><\/p>\n<div class=\"pvc_clear\"><\/div>\n<p id=\"pvc_stats_21210\" class=\"pvc_stats all  \" data-element-id=\"21210\" style=\"\"><i class=\"pvc-stats-icon medium\" aria-hidden=\"true\"><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"far\" data-icon=\"chart-bar\" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 512 512\" class=\"svg-inline--fa fa-chart-bar fa-w-16 fa-2x\"><path fill=\"currentColor\" d=\"M396.8 352h22.4c6.4 0 12.8-6.4 12.8-12.8V108.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v230.4c0 6.4 6.4 12.8 12.8 12.8zm-192 0h22.4c6.4 0 12.8-6.4 12.8-12.8V140.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v198.4c0 6.4 6.4 12.8 12.8 12.8zm96 0h22.4c6.4 0 12.8-6.4 12.8-12.8V204.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v134.4c0 6.4 6.4 12.8 12.8 12.8zM496 400H48V80c0-8.84-7.16-16-16-16H16C7.16 64 0 71.16 0 80v336c0 17.67 14.33 32 32 32h464c8.84 0 16-7.16 16-16v-16c0-8.84-7.16-16-16-16zm-387.2-48h22.4c6.4 0 12.8-6.4 12.8-12.8v-70.4c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v70.4c0 6.4 6.4 12.8 12.8 12.8z\" class=\"\"><\/path><\/svg><\/i> <img decoding=\"async\" width=\"16\" height=\"16\" alt=\"Loading\" src=\"https:\/\/www.anfocal.ie\/wp-content\/plugins\/page-views-count\/ajax-loader-2x.gif\" border=0 \/><\/p>\n<div class=\"pvc_clear\"><\/div>\n<a class=\"synved-social-button synved-social-button-share synved-social-size-48 synved-social-resolution-single synved-social-provider-facebook nolightbox\" data-provider=\"facebook\" target=\"_blank\" rel=\"nofollow\" title=\"Share on Facebook\" 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As it turns out, we grew up in probably the most influential decade regarding film since the late 1960\u2019s post-Hays code boom. This was the decade where the old guard started to pave the way for the likes of [&hellip;]<\/p>\n<div class=\"pvc_clear\"><\/div>\n<p id=\"pvc_stats_21210\" class=\"pvc_stats all  \" data-element-id=\"21210\" style=\"\"><i class=\"pvc-stats-icon medium\" aria-hidden=\"true\"><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"far\" data-icon=\"chart-bar\" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 512 512\" class=\"svg-inline--fa fa-chart-bar fa-w-16 fa-2x\"><path fill=\"currentColor\" d=\"M396.8 352h22.4c6.4 0 12.8-6.4 12.8-12.8V108.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v230.4c0 6.4 6.4 12.8 12.8 12.8zm-192 0h22.4c6.4 0 12.8-6.4 12.8-12.8V140.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v198.4c0 6.4 6.4 12.8 12.8 12.8zm96 0h22.4c6.4 0 12.8-6.4 12.8-12.8V204.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v134.4c0 6.4 6.4 12.8 12.8 12.8zM496 400H48V80c0-8.84-7.16-16-16-16H16C7.16 64 0 71.16 0 80v336c0 17.67 14.33 32 32 32h464c8.84 0 16-7.16 16-16v-16c0-8.84-7.16-16-16-16zm-387.2-48h22.4c6.4 0 12.8-6.4 12.8-12.8v-70.4c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v70.4c0 6.4 6.4 12.8 12.8 12.8z\" class=\"\"><\/path><\/svg><\/i> <img decoding=\"async\" width=\"16\" height=\"16\" alt=\"Loading\" src=\"https:\/\/www.anfocal.ie\/wp-content\/plugins\/page-views-count\/ajax-loader-2x.gif\" border=0 \/><\/p>\n<div class=\"pvc_clear\"><\/div>\n","protected":false},"author":10746,"featured_media":21211,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[102005],"tags":[],"class_list":["post-21210","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fuinneamh"],"a3_pvc":{"activated":true,"total_views":26,"today_views":0},"views":1988,"jetpack_featured_media_url":"https:\/\/www.anfocal.ie\/wp-content\/uploads\/2018\/11\/best_of_the_90s_1990.jpg","wps_subtitle":"","_links":{"self":[{"href":"https:\/\/www.anfocal.ie\/index.php\/wp-json\/wp\/v2\/posts\/21210","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.anfocal.ie\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.anfocal.ie\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.anfocal.ie\/index.php\/wp-json\/wp\/v2\/users\/10746"}],"replies":[{"embeddable":true,"href":"https:\/\/www.anfocal.ie\/index.php\/wp-json\/wp\/v2\/comments?post=21210"}],"version-history":[{"count":1,"href":"https:\/\/www.anfocal.ie\/index.php\/wp-json\/wp\/v2\/posts\/21210\/revisions"}],"predecessor-version":[{"id":21212,"href":"https:\/\/www.anfocal.ie\/index.php\/wp-json\/wp\/v2\/posts\/21210\/revisions\/21212"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.anfocal.ie\/index.php\/wp-json\/wp\/v2\/media\/21211"}],"wp:attachment":[{"href":"https:\/\/www.anfocal.ie\/index.php\/wp-json\/wp\/v2\/media?parent=21210"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.anfocal.ie\/index.php\/wp-json\/wp\/v2\/categories?post=21210"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.anfocal.ie\/index.php\/wp-json\/wp\/v2\/tags?post=21210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}