{"id":24210,"date":"2021-10-29T12:00:16","date_gmt":"2021-10-29T11:00:16","guid":{"rendered":"https:\/\/www.anfocal.ie\/?p=24210"},"modified":"2021-10-26T11:57:07","modified_gmt":"2021-10-26T10:57:07","slug":"not-your-villain-the-problem-behind-the-scarred-baddie-trope","status":"publish","type":"post","link":"https:\/\/www.anfocal.ie\/index.php\/not-your-villain-the-problem-behind-the-scarred-baddie-trope\/","title":{"rendered":"\u2018Not Your Villain\u2019 \u2013 The Problem Behind the Scarred Baddie Trope"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">The Bond movies are a franchise synonymous with glamour, action and a long lineage of malicious villains.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The distinctive villains are enshrined in cinematic history however the likes of Le Chiffre, Jaws, Emilio Largo, Alec Trevelyan, Zao and Raoul Silva all share a troubling similarity.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">These evil characters share a visible difference, aided by extensive make up and prosthetics.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In the latest instalment of the blockbuster franchise \u2018<\/span><i><span style=\"font-weight: 400;\">No Time to Die\u2019<\/span><\/i><span style=\"font-weight: 400;\">\u00a0 the main baddies feature this problematic filmmaking tactic such as Rami Malek&#8217;s Safin styled to have visible differences.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Known as the disfigurement villain trope, filmmakers use facial differences as a visual cue to let the audience know that the character is evil.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Tom Hickey, an Irish activist, blogger and journalist has condemned the practice.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cIt\u2019s reprehensible really,\u201d said Tom. \u201cIt\u2019s very difficult for people who have a facial disfigurement to go about their lives without also having to face this trope which appears all too frequently in film.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cI think the problem is that those of us who are facially disfigured are struggling a lot of the time to deal with our physicality and the fact that we look different to anyone else.\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Beyond Bond, villainous characters like Voldemort and Wonder Woman\u2019s Doctor Poison all have noticeable facial disfigurements to separate them from the rest of the cast.\u00a0<\/span><\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"size-medium wp-image-24212 alignright\" src=\"https:\/\/www.anfocal.ie\/wp-content\/uploads\/2021\/10\/download-3-1-300x169.jpeg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.anfocal.ie\/wp-content\/uploads\/2021\/10\/download-3-1-300x169.jpeg 300w, https:\/\/www.anfocal.ie\/wp-content\/uploads\/2021\/10\/download-3-1-768x432.jpeg 768w, https:\/\/www.anfocal.ie\/wp-content\/uploads\/2021\/10\/download-3-1.jpeg 1486w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">A UK based charity Changing Faces created the \u2018I am Not Your Villain\u2019 campaign that called on the film industry to stop employing these damaging representations that perpetuates a stigma around physical imperfection.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cThese kinds of film depictions of villains as facially disfigured makes it harder for those people to be accepted by society,\u201d said Tom. \u201cAnything that somehow makes us stand out in any way like these portrayals in films makes it that much more difficult to assimilate ourselves into society.\u201d\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The problem exposes a wider issue of diverse representation for people with facial differences in the media.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Growing up, Tom failed to see anyone else he related to in the media which would elevate his feeling of alienation from his peers.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cMy view at the time was that I was the only person who was facially disfigured because I hadn\u2019t seen anyone or met them.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cIt was because we weren\u2019t seen in newspapers, or in magazines or television. It made us stand out a bit more.\u201d\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Activists have called on the media to employ a more diverse range of appearances in order to challenge the damaging stereotypes perpetuated in the likes of the Bond franchise.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Research carried out by Santana ComRes found only one in five people with a visible difference have found a character that looks like them as a hero in film or TV.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">An even starker finding stated that only 15% of those surveyed have seen someone with a visible difference play a love interest.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cYou don\u2019t see many people on television like TV presenters or reporters who has a facial disfigurement,\u201d said Tom. \u201cYou basically see perfection and physical perfection isn\u2019t as common as is portrayed.\u201d\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cThere are a lot of people who have a facial disfigurement or a disability of some kind and yet we are hidden away and not really accepted.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Activists like Tom Hickey and organisations such as Changing Faces are relentlessly challenging the outdated tropes commonplace in our media today.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Their campaigning is raising awareness and the film industry is slowly beginning to leave behind the damaging tactic of using a disfigurement as shorthand for evil.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Due to the Changing Faces campaign, The British Film Institute recently committed to stop funding films where negative characters are depicted through facial differences.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">As more media organisations commit to conveying the diverse and full lives experienced by those with a visible difference, their campaigning can ensure lazy tropes as showcased in the latest Bond film will become a thing of the past.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<div class=\"pvc_clear\"><\/div>\n<p id=\"pvc_stats_24210\" class=\"pvc_stats all  \" data-element-id=\"24210\" style=\"\"><i class=\"pvc-stats-icon medium\" aria-hidden=\"true\"><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"far\" data-icon=\"chart-bar\" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 512 512\" class=\"svg-inline--fa fa-chart-bar fa-w-16 fa-2x\"><path fill=\"currentColor\" d=\"M396.8 352h22.4c6.4 0 12.8-6.4 12.8-12.8V108.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v230.4c0 6.4 6.4 12.8 12.8 12.8zm-192 0h22.4c6.4 0 12.8-6.4 12.8-12.8V140.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v198.4c0 6.4 6.4 12.8 12.8 12.8zm96 0h22.4c6.4 0 12.8-6.4 12.8-12.8V204.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v134.4c0 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